How to play blues like BB King
He'll guide you through two solos in the style of 'The Thrill is Gone' and 'Three O Clock Blues', and take an in depth look at B.B. King's note choice over each chord in a blues. If you've always wanted to play the blues like The King this is the course for you! The Fun Is Back Welcome to our mesmmdaten.com player study! Let’s get started by. B.B. King Guitar Example 1 – Chord. Most twelve-bar blues progressions use dominant chords. This progression, however is a minor blues, and has a much sadder feel. The F#7sus4 chord adds a lovely suspension and when resolved to the F#7 creates a release. Try adding in embellishments to this progression, such as slides, hammer-ons and pull-offs.
Knig at one point or another in their career. King is the undisputed master of the blues. He guitzr the ultimate blues musician and a player to whom every modern blues guitarist owes a considerable debt. When I first started playing the guitar as a teenager, I had the amazing fortune to see B. King play live. It was one of the best live performances that I have ever seen. To me, his style and the way he approached the guitar illustrated the vast possibilities that the instrument offers.
King was not one for fast licks or flashy playing. His focus was on pouring emotion into every note. His playing evokes deep feeling and captures the spirit of the blues.
It is beautiful and pure, and unlike that of almost any other blues guitarist before or since. To help you get closer to those beautiful tones, here Kiing have outlined the details of the gear that King used during his career.
So without further ado, here is everything you need to sound like B. Despite his career spanning more than 60 years, the gear that B.
King used remained almost unchanged. King famously played a black Gibson ES that he called Lucille. King escaped to safety, only to realise that he had left his beloved guitar inside. He ran back into the collapsing building — risking his life in the process — and managed to retrieve the guitar from the flames. He later learned that the fire had been started by 2 men who were brawling over a waitress in the club called Lucille. Lucille was modelled on the body of an ES But if you want to sound like B.
Typically on ESs, there is a 3 way toggle switch, which switches between the neck pickup, both pickups and the how to use flash on samsung galaxy s3 pickup. The Varitone is a 6 way switch that filters out specific frequencies in each position. This is covered in more detail below.
But in short — the Varitone sounds very different in each position, and can be used to produce a whole range of different tones. King also modded Lucille by blocking up the F-holes on the guitar. This was to combat feedback on stage when he played at high volumes. In the early days of electric guitar playing, guitarists would fo the bodies of their guitars with foam and then cover the F-holes with card or other similar materials.
Fortunately, as guitar kibg has become more sophisticated, this has been factored into the build of the instruments. If you want to sound like B.
King then, there are a number of initial considerations you need to make. The first, is that you need a semi-hollow body guitar, similar to that of the ES that King played. Since then, various different ES style guitars have been produced — most of them modelled after Lucille, as B.
King was the most notable player of plxy ES Some of these are merely cosmetic. The ES has a different inlay on the headstock, and the fret markers start from the 1st, rather than the 3rd fret. The binding on the guitar is also different. More significantly, when it was first released the ES had an ebony, rather than a rosewood neck.
It also had a Varitone circuit — unlike either the ES or ES — and it had the option to come fitted with either a Bigsby tremolo unit, or a Vibrola vibrato unit. Over the years, both Gibson and Epiphone have released various replicas of Lucille, the most recent of these being a Gibson Custom Shop guitar that was produced in For whatever reason though, these guitars do not seem to be readily available any longer.
King and you are looking for authenticity, you have a couple of options here. The whatever the weather the saturdays lyrics is to try and buy a second hand version of one of the Lucille replicas.
The other alternative, is to buy an ES Very few of these guitars are made now, and most of them are produced by the Gibson Custom Shop.
As a result, they tend to be in a higher price ugitar. But if you really want to sound yo B. King and are looking to make an investment, then something like an ES, Reissue could be a great choice.
As you can see then, buying a Gibson ES is not without its challenges. The price of a Gibson Custom Shop ES Reissue is beyond the reach of most players, and buying a guitar second hand is also not an option that appeals to everyone. In fact, one of the main differences is that the original ESs came fitted with a Varitone circuit. Yet whilst the Lucille replica models are fitted with the same circuit, this kinng not true for most of the Gibson Custom Shop reissues.
And the even better news, is that there are options here to suit all budgets. If you are slightly more budget conscious, then I would recommend going for one of the entry level Epiphone models:.
Some of the hiw options here are as follows:. After the Epiphone models, there is a significant jump in price, as you get to the American made Gibson range. Some of my top choices here are how to lose leg fat without building muscle follows:.
Finally, there is also the Gibson Custom Shop range to consider. These guitars are in a higher price bracket again, but could make a brilliant choice if you really want to sound how to charge a ds lite B. King and are looking to make an investment. Given that very few guitars are fitted with Varitone switches, I think it is first worth running through what a Varitone switch is and how it works.
This knob is connected to a notch filter, which is linked to 6 separate capacitors. The 1st position on the Varitone switch is true bypass. Then in positionsthe Varitone removes certain frequencies from your sound. The character of the sound in each position is really quite different. But you can get a sense of how they differ on this video here.
This then leaves you with a whole range of tone shaping options beyond those you find on a normal guitar. If you are lucky enough to have a guitar with a Varitone and you plat to use it to sound like B. King, switch it to position 2. This was the position that both he and Freddie King favoured.
The sound of this position is illustrated at the 2. King did not always use his Varitone switch. As such, you can recreate many of his classic tones without using a Varitone switch or trying to replicate it.
In fact, towards the later years of his career, King stated that he never used the Varitone at all!
With that in mind then, you have a couple of different options:. The first is to modify your existing guitar. You could buy a Varitone switch kit, and either mod your guitar yourself, or take it to a guitar tech to make the mod for plah. A lot of guitarists mistakenly believe that the circuit is detrimental to tone, and so you only seem to be able to find these kits second hand on sites like Ebay. Secondly, adding a Varitone switch to your guitar is no small undertaking.
If you have an Epiphone, then this mod alone could come close to the cost of your whole guitar. And if you have a Gibson ES style guitar, you might be reticent to make such dramatic changes. If either of these true — but you still want to recreate the sound of the Varitone — then I would recommend using how to make a pallet couch EQ pedal to sound like Iing.
In essence, the Varitone switch is not so dissimilar from an EQ pedal. It also slices away certain frequencies in each position. The key difference between a What is the apgar test and an EQ pedal is that the settings of the Varitone switch are hard wired. As a result, if b.
mimic the settings on a Varitone with your EQ pedal, you can get close to replicating the sound of the Varitone — without having to making any changes to your guitar.
There is some discussion around the exact frequencies that are removed by the Varitone in each position. There are also those that believe that the Varitone switches that were produced in the s sound notably different. But below is a rough guide to the guiyar in EQ that happen at each position of the circuit:. Hopefully you can see then, that if you took an EQ pedal and altered the frequencies as above, you could replicate the different positions of the Varitone switch.
As mentioned earlier, B. King favoured position 2. So use the figures above as a starting point and keep adjusting until you get the tone you are looking for. As for P,ay pedals — there are a whole range of different pedals to choose from. Each of these pedals is relatively inexpensive, and will help you to sound like B.
King, without having to use a Varitone switch. Regardless of whether you try to replicate the sound of B. Lucille was fitted with vintage humbucking pickups. So if you have an ES style guitar with modern pickups, and are really after authenticity, it is worth looking at vintage style pickups.
Guitar Solo Techniques - Beginner Tips
Aug 30, · If you are lucky enough to have a guitar with a Varitone and you want to use it to sound like B.B. King, switch it to position 2. This was the position that both he and Freddie King favoured. The sound of this position is illustrated at the minute mark on the video above. Jul 15, · A common trait of BB King’s playing was to mix major and minor pentatonic scales so here is the B minor and B major pentatonic scale. Learn these two shapes and then imagine them overlaid on top of each other. Lick 1 BB often played ahead of the beat with the aim of targeting a chord note at the end of a mesmmdaten.com: Leigh Fuge. Sep 10, · Free Blues Guitar Ebook! This free "cheat sheet" gives tips, tricks, chords, pentatonic scales, how to get started and more. click here mesmmdaten.com
Learning how to solo on guitar can be difficult for any player - from beginners to master guitarists. Discover guitar solo tips and techniques with Fender. It bridges the riffs and melody of a song that provide its steady undercurrent with a chance for a guitarist to show off their skills. Whether a guitarist prefers simplicity -- stringing together slow, soulful notes with string bends for emphasis like B. King -- or opts for flash and sizzle like two-hand tapping techniques favored by Eddie Van Halen, a guitar solo is what allows that personality to shine through.
Think about what inspired you to pick up the guitar and the guitarists who made you want to learn to play. Chances are, the first thing that comes to mind is a guitar solo you heard them play.
And while most beginner guitarists start by learning chords and scales, learning to play guitar solos feels like a crowning achievement. While practicing scales can be helpful in crafting a guitar solo, the best solos often come from improvisation -- often comes from feeling -- taking the riffs and melody of a song and weaving them into something that feels like a natural extension of those notes within the framework of a song.
Check out these guitar tips for soloing. As with anything, you have to learn to walk before you can run. Playing guitar is no different. Learning to play scales and identifying where each note falls on the fretboard is one of the most important steps to take when learning to play guitar solos. Developing a familiarity with scales and the notes associated with them can help you better improvise on the guitar later on and start soloing on your own.
For instance, many solos include arpeggios. An arpeggio is a deconstructed chord in which the notes of a chord are played individually instead of being strummed together. Start mastering the basics and build your way up to learning to play guitar solos. Need some inspiration? Discover some of the songs and techniques used to play them and start working backwards, learning those techniques. Playing scales and learning beginner techniques and practice exercises , such as perfecting finger placement and building dexterity, can be helpful in starting down the path to playing guitar solos.
Practicing scales is one of the most important building blocks of learning to play guitar solos. Instead, expand your reach by playing those guitar scales at different starting points along the neck of your guitar. This can help you hear the same notes in a scale at either a higher or lower octave, training your ear to match tones and notes.
This can help you to create your own guitar solos later on, using notes from different octaves of the same scale. Need an example of impact that playing the same notes in different octaves can have on a solo? As mentioned before, playing scales allows you to develop and train your musical ear to recognize the same notes at different points along the fretboard. Learning scales and their root notes -- or the starting point of each scale -- can help you glide around the fretboard with ease when playing or crafting solos of your own.
Developing an understanding of notes, frets, and where they sit within each scale can help you find notes and moveable patterns within range of each other on the fretboard.
Fender Play can get you started with some scales every guitarist should know , helping you to build up your finger dexterity and training your ear to listen for similar tones and where they sit on your fretboard.
This can later help you when playing solos. While learning musical theory and using tablature to learn to play guitar are invaluable tools to musicians, so is learning to play by ear. Some of the best guitar solos of all time are born out of improvisation -- which comes from knowing your instrument and what it and you are capable of doing. While the guitar solo you may hear on an album version of the song will sound the same every time, a solo played live may differ slightly.
Although the album version of a solo may be the foundation for a live rendition, how a guitarist is feeling in a given moment during a live show may dictate some of those variations from night to night. When learning to play your favorite guitar solo, using tablature can help you to visualize where notes are mapped on the fretboard, training your ear to listen for the timing of how those notes are played, what techniques are applied to those notes, and more.
Tablature can help you with those facets of learning to play a guitar solo. Whether you love heavy metal or want to learn to play the blues, soloing is a major part of playing guitar.
While it may seem intimidating at first, anyone can learn to play a guitar solo. It just comes down to combining different guitar techniques and a knowledge of scales, notes, and tones. It can just be a few simple notes strung together based around the melody of a song. As you progress in your playing, you can add your own flourishes to those notes. But first, start slowly. Familiarize yourself with some guitar solo tips and techniques and gradually work your way up to more complex solos.
Warming up before playing a solo can make a big difference in improving your dexterity, speed, and accuracy when playing a guitar solo. You can warm up by playing across just two strings on your guitar, or by spanning all six strings.
Practice down strokes and up strokes with your pick, while switching between one or two open strings and playing specific frets. Start slow and perfect the accuracy of picking the right strings, and the accurate placement of your finger on the correct frets. For a more advanced warm-up, you can try playing a pattern across all six strings. Listen to how each fret in the pattern sounds when played on a different string. You can start by playing this pattern slowly, building up speed.
This can help you to memorize patterns and improve your accuracy. You can also try playing each pattern with either just downstrokes or by using alternating picking. Have you ever had a conversation with someone and found yourself unable to get a word in edgewise? The same holds true when playing a guitar solo. Adding pauses within your solo and leaving space between notes lends more depth and dimension.
While hearing a flurry of rapidly played notes can be an impressive display of accuracy and dexterity, if your entire solo consists of nothing but a blur of notes strung together, it may not be as compelling or memorable for listeners.
Adding pauses, tempo changes, and using a mixture of whole, half, quarter, and eighth notes can make a solo far more dynamic. When learning to play a guitar solo, there is no prize given for including every single note within a scale within your solo. In many cases, choosing a small number of notes to include in your guitar solo can make it feel more cohesive. Consider what notes are included in the chords played on the rhythm portion of a song. Or consider what key the song is in and what notes comprise the riff or notes on the verse.
While you may only decide on a handful of notes to include in your solo, learning scales and root notes can help you find higher-pitched or lower-pitched versions of those notes to lend more color and depth to your solo. And when it comes to strumming, many guitarists also use their pinky as an anchor on the guitar body to help stabilize their hand.
However, guitarists can increase their ability to span more frets and increase their speed by incorporating their pinky into their playing more often. Training your pinky to play licks can help give you more reach. Alternate picking is a strumming hand technique that involves alternating between upward and downward strokes when playing notes on your guitar.
Alternate picking also helps you play at a faster pace, which lends a lot more dimension and dynamics to a guitar solo. Learn the basics of alternate picking and hear the difference between how a note sounds when played with a downstroke versus an upstroke. While alternate picking is typically performed with a pick, fingerpicking as its name implies involves tossing the pick aside and playing with your fingers.
Check out Fender Play to try your hand at this song and learn how fingerpicking can make you a better lead guitarist. Bending a note can add a new dimension to a solo, giving it more feeling and soul. Bending a note involves pushing or pulling the string up or down.
However, whether you bend the string itself up or down, bending will always raise the pitch of that string up. When amplified, you can really hear the difference. Bending a string can also help you to reach different notes, altering the pitch of a note higher when bending it.
When bending a note, this is where learning to pause can lend greater impact to your playing. One common technique is to place your finger on your intended fret, strike the note as you usually would.
Then pause to let that note ring out before bending the string upward or downward to bend and warp the note. To hear how this technique can change the feel of a solo, check out this lesson on how to bend strings and notes. Sliding is a guitar technique that can make your playing more expressive, giving it an almost vocal quality. A slide involves playing a note and then shifting on the same string to another fret or note.
Sliding allows you to connect notes smoothly and lends personality to your playing. You can slide between notes just using the fingers of your fretting hand, or you can place a metal slide on one of your fingers typically the ring finger of your fretting hand.
While many guitarists across multiple genres have included sliding in their arsenal, using a metal guitar slide can typically be heard in country or Southern rock genres, but not exclusively. Unlock these lessons and even more with Fender Play, including a collection of lead guitar riffs and solos. Then, check out this video tutorial on how to play slides:. Vibrato is one of the more unsung techniques that can separate a good player from a great player.
Vibrato enhances the sound of your lead notes and can create sustain and a fluctuating effect of a note that you might more commonly associate with vocals or even the strains of a violin.
Hand vibrato is a guitar effect that occurs when your fret hand repeatedly shifts the pitch of the notes slightly -- a slight bend of a quarter-tone. Vibrato raises the pitch slightly, then takes it back to its original position before raising it higher again due to the repeating shifts and slight bends with your fretting hand.
Hammer-ons and pull-offs are two separate, yet essential guitar techniques that are often used in conjunction with one another. A hammer-on involves using fingers of your fretting hand to strike a fret sharply like a hammer to create a pitch. That hard strike on the fretboard creates a slightly different, more pronounced tone.
A pull-off is a technique where your fretting hand finger pulls away and down from the string to change to a new pitch. In many cases, the hard hammer-on sound is complimented by immediately pulling off of the string for a more dynamic sound. Palm muting is a great way to create intentional pauses in your playing by muting the strings with your palm for a choppier, more staccato effect. Palm muting involves placing your palm over the stings where they connect to the bridge to stop the strings from ringing out.
To learn the precise positioning and striking techniques to palm mute like a pro, check out some tips to help you ace your palm muting. To see and hear palm muting in action, check out Firewind and former Ozzy Osbourne guitarist Gus G demonstrate the basics of palm muting on an episode of Fender Play Live:.